Captain America Vs Nazi Aliens

Let me make this perfectly clear: In order to be a successful super villain you must learn to understand, accept, and even appreciate super heroes. In order to become a successful movie producer you must learn to undermine, exploit, and degrade the hero until they are a meaningless husk. Many villains get the roles of villain and movie producer mixed up, and that is where they fail. Arrogance has led to the downfall of many a villain, when that hubris should be channeled into a positive strength. Look at yourself as you prepare to face your foe in combat and ask yourself, "Would my armada of chainsaw-wielding bears and death beam that fires the souls of dragons be enough to stop me?" If the answer is the resounding laughter of hubris, then perhaps it's time to re-assess your situation. Meanwhile, by emotionally reducing characters to one trait a piece, and adding explosions and lasers where applicable, movie producers are expanding their audience thousand-fold. That's the sort of thing America has come to expect from movies, and what is expected to attract American movie-goers. I myself am not against stupid awesomeness for the sake of stupid awesomeness. I enjoy things that are hilariously bad, and the comedic juxtaposition of things that modern society has come to refer to as "awesome."

I went to the midnight opening of Captain America... the FIRST Avenger. Let it be known that I was really looking forward to this movie. My enthusiasm may have been bolstered by fantastic merchandising, including the simple yet elegant Frisbee with an elastic strap, and quite possibly my favorite action figure ever: Winter Combat Captain America.

I'm going to write up the description on the back of the box for those of you too lazy to click on the above link, and even for those who DID click on the link because it bares repeating.

"CAPTAIN AMERICA will brave the harshest blizzard in order to protect the virtues of justice and truth. With only his snowboard and rocket launcher, CAPTAIN AMERICA is ready to shred down the mountain and destroy any villain that threatens the peace and well-being of his homeland."

I went to the movie with this description in mind as the entire premise of the film. Who wouldn't want to see Cap snowboarding down "the" mountain with a rocket launcher, blowing up Nazis, and launching off a ramp into an indy cab 1080° double-cork, and punching Hitler at the bottom of the slope? You may think my expectations were unrealistic. This is after all the "Concept Series" of action figures I was basing them on, but the scene depicted on this magnificently awe-inspiring figurine would not have out of place in this movie that went in every direction it could find.And yet it would, because that scene would have been good.

I may be a little too critical. It was late, I was underslept, and bad fashion choices were made, but this movie was all over the place. It tried to be too many things, and the thing it succeeded at most was a musical. This is a movie based on a comic book about an art student from Brooklyn who gets juiced up by American steroid scientists in order to fight Nazis. HOW COULD IT GO WRONG!?

It tried really hard to get me to like it, and there were times it succeeded. Stanley Tucci was easily the most likable German steroid developer I've ever seen, and Tommy Lee Jones charmingly did his darndest to not give a single f#$* throughout the entire movie. I also appreciated the semi-campy tone it had while trying to be a 1940's movie serial. The brief cameo by the original Human Torch was probably the highlight of the entire movie for me. Everything else was predictable, hammy, and musical. It even started out predictably with modern ice spelunkers discovering Cap in ice, and the entire rest of the movie was a flashback. Iron Man started in real time and went to a flashback to explain how much of a douche Tony Stark was, Thor started out in real time and then went to a flashback to explain how much of a douche Thor was, and predictably Cap did the same thing, only substituting douchebaggory for pure super-imposed scrawny-assedness.

I am going to stop right here and get the SPOILER WARNING out of the way since I have not already mentioned that I am going to intentionally try to ruin this movie for you like it ruined me. If you have any desire to see this movie, I wouldn't want to deprive anyone of the shock and arg.

The movie was a blatant tie-in with Thor, and seemed to exist purely to set up the plot of The Avengers, which I still hold out hopes for. The Cosmic Cube in this movie is an Asgardian artifact called the Tesseract, presumably because the director happened to have a geometry book open and thought it was a cooler name for the ultimate plot device. It was being sought by Nazi scientist, Agent Smith, Elven Anarchist Drag Queen of the Decepticons, for the purpose of fulfilling a God complex. Agent Smith is the leader of Hyrda, a Nazi splinter division that specializes in being unrealistically technologically advanced. This brings me to my first question about the movie.

WHY WEREN'T THE NAZI'S ALIENS!?

This is Earth 1943. The Hydra base would have put the Death Star to shame in terms of immaculately clean evil space decor. Even the Hydra uniforms, the ones that WEREN'T robot suits, look completely out of place when put side by side with good ol' American fatigues. Their evil mountain fortress and most of its contents were all made before they acquired the ultimate plot device. With all of the ridiculousness going on in the movie, and the fact that nothing was believable, suggesting the Nazis were really shape-shifting aliens from another planet in order to explain why they were so technologically advanced would have been okay with everyone in the audience. The Nazi's in The Ultimates were assisted by aliens, and we all know how badass Ultimate Captain America was. Instead it's explained that everything was created by this guy. Sorry, hold on... THIS guy, who is clearly NOT a television, and like the Nazi aliens, COULD have been. Why? Well, why the hell not? Frankly, I was surprised that they weren't aliens, and I am dead certain that someone somewhere who had never read a comic book in their lives was leaving the theater asking themselves why the Nazis had not been aliens.

I mentioned before that Captain America: The FIRST Avenger tried really hard to be a 1940's super hero movie serial. This was achieved through hokey acting and dialog, which is strangely acceptable on it's own without being juxtaposed by the SPACE NAZI LAIR scenes. The thing that completely severed the cables supporting the suspension bridge of disbelief was the montage of the Agent Smith doing violent evil things against a fiery backdrop during the expository monologue explaining that he was the villain of the movie. They could not set up a believable world, and then once they pumped Cap full of thawed blue raspberry Otter Pops it got worse.

A Nazi spy killed the creator of the Super Soldier Serum, who apparently refused to write anything down, thus making it impossible to replicate the miracle that is Chris Evans. In the comics he tweaked one last thing right before the procedure that actually made the Serum work, but in this adaptation they just forgot to make back-ups of all the documentation and everything was lost until The Incredible Hulk needed someone to punch who was not a lake. Then, since the military was only able to produce one super soldier, they decided that rather than actually put him to work stomping Nazis as a costumed badass they would take the thousands of dollars they invested in one man's abs and turn him into a dog-and-pony show.
Then suddenly, without warning... the movie became a musical about war bonds.

Using Captain America as a poster boy to bolster support for troops during WWII is not something I have a problem with. It's the fact that that's all the military has intended to use him for. This is a guy that could lift a car, or at least wrestle one while attached to a wire harness, and rather than train him to stomp Nazis, they put him in a cloth costume in front of a punch of pin-up girls and had him punch a caricature of Adolf Hitler, which should have been as cool as it sounds, and might have been had they not drug it out for three minutes. The point is that it made no sense. Stanley Tucci was shot, and everyone just said, "Oh well! So much for creating the perfect man to fight a tyrant bent on creating the perfect race" and walked away from the perfect man they just created, leaving Cap to travel America and tell the American people to give the government more money to waste on things they won't use to stomp Nazis. Finally, after embarrassing himself and everyone who saw the movie, Cap decides to go off and stomp some Nazis against the will of the Army, and free The Howling Commandos in order to attempt to make the movie not suck by including The Howling Commandos in it.

Sargent Fury and His Howling Commandos were created by the biggest asshole in comics, Stan Lee, when his editor said that the reason his comics sold so well had nothing to do with his writing, and everything to do with the cool titles. Stan, who had been trying to get fired for years, decided to come up with a war comic during the age of hippy peace-lovers with the longest most cumbersome name he could come up with just to win a bet that he could make it sell like hotcakes no matter the odds, and thus the Howling Commandos were born. Their inclusion in the movie was a fantastic nod to hard-core losers who knew who the hell they were. There was absolutely no character development for them, and they didn't need it, because all the audience needed to know was that they were the best part of the movie. Thank goodness the director had succeeded in that endeavor where he had fallen flat everywhere else. He couldn't even keep a joke about Howard Stark's overly complicated shield designs from falling flat. He even tried to put some conflict in a relationship that was hardly there between Cap and the only female character. The only thing that made the movie entertaining was its use of source material. For that reason, I am going to continue to insist that the Nazis had been aliens.

The next quarter of the movie consisted of action montages that made Team America: World police look like Mein Kamph with puppets, including scenes of Captain America on a motorcycle for the sake of having Captain America on a motorcycle. Cyber Nazis are punished, Cap prevents the launching of several BOMBS WITH COCKPITS THAT ARE LABELED WITH THE MAILING ADDRESS OF EVERY MAJOR CITY IN AMERICA SO THE SPACE NAZIS DON'T FORGET WERE TO FLY THEM... and then Neo leaps out of the Cosmic Cube and makes Agent Smith explode because I suppose the writers couldn't figure out how to make Captain America win a fist fight, and Cap crash lands a plane in the arctic because the autopilot is engaged and the controls will only allow him to steer up or down, and I officially can no longer even pretend to care about this movie or this blog.

If it had tried to be a straight up 1940's movie serial, or if it had tried to go for broke and have robot Nazi aliens riding dinosaurs on the moon and included more of the source material that had made the movie at least tolerable, it would have been a good movie. It just needed to pick something and movie on. Instead all we were given a heap of attempted films that added up to nothing. Film producers are the real villains. I think we can all learn something from them.

- Lord Veltha

"It was Fate, in the radio station, with the ironic twist."

In this installment of Lord Veltha VS Fate, we would like to recap for you last week's spectacular confrontation between the two forces of personification, but before we do that let's head to Tom at the sports desk for a brief look at the last month's activities to explain why this was such a crucial battle in the epic struggle between the two titans. Tom?

"Thank you, my lord. You're looking great as ever, Sir."

It must be hard to sit at the sports desk with your head up your ass, Tom. You could easily be replaced.

"Apologies my lord. Well, Veltha fans, it's been a long month for the team. After last month's spectacular victory with The Astonishing Dude Episode 1: Art Critical, they decided to make it two for two with episode two, but things did not go smoothly. Trouble started when, due to confusion and scheduling conflicts, some members of the cast were unable to arrive at the recording session on time. After a brief loss of composure..."

You can go ahead and skip that part. This blog is about optimism.

"Despite certain... complications... and beginning the recording session half an hour late rather than getting in there and recording scenes that did not feature the temporarily misplaced cast members whom were but victims of the dark lord's shoddy scheduling abilities..."

Think of your family, Tom.

"... it's kind of hard to..."

You can do it, Tom. I have faith in you. So does your wife and children.

"... the... um... session was slightly hurried, particularly during the end of the session, but the only casualty was one line of dialog that could be recorded remotely later on in the week, and the unfortunate choice to record dialog with the background walla rather than recording them separately so that it would be easier to manipulate the two on separate tracks. Regardless, the afternoon was perceived as a victory.

"Then came the long and laborious editing process which the lord, in his need for control and perfection, took on by himself as Lucifer took on the task of corrupting mankind in Paradise Lost..."

Good analogy.

"After working morning 'til night on his laptop (which was miraculously able to keep up with Lord Veltha's pace despite having a history of overheating and breaking down) for about a week with only one day to rest, the day came when it was time to report for DJ duty at WSU's KOUG Radio station. There had been no time to prepare for that week's show as he had been busy fussing over The Astonishing Dude. Fortunately, one of his comrades came with a copy of the "Men Are From Mars; Women Are From Venus" board game and the team was able to kill most of the time answering questions about their sex lives. It was thought that disaster had been averted, but when it came time for them to leave the unthinkable happened.

"Somehow, the station's automated playlist ceased functioning. Having been on edge for most of the program..."

But masking it fairly well.

"Once things took a turn for the worst Lord Veltha's anxiety became barely manageable. It was then as he watched over his engineer's shoulder to understand what the problem was that one of his comrades prodded him playfully in the back. Determined to prevent his friends from knowing about the full extent of his unstable mental state, and doing everything he could to prevent them from ever seeing him in a 'freaked out' state for fear that they might begin to treat him differently, he had neglected to inform them that physical contact in a time of anxiety had grave circumstances. In a tiny room packed with people, during a time of perceived crisis and great claustrophobia, Lord Veltha was able to resist falling into a wrathful state by utilising his new found mental powers. He, in his benign greatness, rather than causing the entire building to explode, was able to simply turn around and say to his friend, 'Let's not do that right now' with a next to pleasant smile on his face. Ironically, his friends responded by attempting to console him with a pat on the back.

"The crisis however, had not been averted. Dead air was all the audience was hearing, and dead air was then enemy. Something had to be done while the system was brought back online, and it was up to Lord Veltha himself to address the audience and stall for time. Again, rage and despair made a claim for the dark lord's soul, but with a duty to fulfill it was immediately cast aside and his persona was that of a radio announcer yet again, completely in control of his emotions by being completely focused on the task at hand. The alternative to doing a job well done was unacceptable. Once the system was reactivate and they were able to call it a day, Lord Veltha immediately fled from the station and took refuge in the bathroom that smells like Jell-O, rocking back and forth in the fetal position as he attempted to reacquire his nerve and wit before facing his allies again."

I was out getting lunch. You didn't say anything that would compromise my position as an evil overlord, did you?

"No, Sir."

Good. I mean, I know I told you to keep it brief, but I decided to take advantage of your long winded depictions of my awesomeness in order to obtain a sandwich. Would you like some?

"No thank you, my lord."

Okie doke. Carry on.

"After that harrowing struggle it was back to work for the master. With only a week left before the episode aired and only half of the show completed he would have to channel all of his energy into completing the show. Every track of dialog had to have the volume balanced out, many of the sound clips required various plug-ins that modulated the voices, legally obtainable free sound effects were difficult to come by, but with one full day to spare Episode 2 of The Astonishing Dude had been completed. That day was well spent, and a private viewing with friends and family was arranged.

Ow!

"A-are you alright, Sir?"

I juth bit my thung. Don' thop. Juth keep thelling the thory.

"As you wish, Sir.

"The next day everything appeared to be going well, but Lord Veltha in his mysterious wisdom could sense that something was wrong. Knowing full well that success was on the horizon he shrugged off his discomfort and was escorted to the station. It was then, approximately half-way through the episode, that the laptop that had survived for weeks during the editing process suddenly shut down for good. The computer could not be repaired, and it held the only available copy of the show. Thankfully his trusty engineer thought quickly on his feat and began playing music while Lord Veltha sought out a means of getting the show back on the air."

"A month of stress and little sleep had finally caught up, weakening the overlord. As he attempted to relay instructions to deliver his external hard drive to the station the darkness inside him began to seep out into the world. Frantic and hopeless, it took all of his remaining strength to hold himself up in front of his ninja lieutenant. Wanting nothing more than to run away from his responsibilities and give up on the whole thing..."

Alright alright. I'm sick of hearing you talk.

"But..."

You can go home now.

"But... what about my family?"

Oh yeah... them. I don't remember what I did with them.

"But I...!"

Just go home. If I find them laying around somewhere I'll mail them to you. Now leave before I rip out your spine and beat you with it.

"Oh... alright..."

Today's not a pleasant day. I haven't slept in, like... well I haven't slept. I can't focus. I still need to mow the lawn. Anyway, after nearly breaking down I managed to focus myself in much the same way I did the previous week. There was a job to be done. It wasn't going to get done if I was freaking out. If all I was good for was giving up and crying like a freaking baby then the best thing I could do was not be myself and do it well. I gave up on TAD and ran back to the station (I had done a lot of running. First I started running to the parking lot with my ninja chauffeur, then I decided to call my mom, then I freaked out and gave up.) Once back inside I took the station by the reigns and we ended up doing what I consider to be the best show we've ever done. Hopefully we can archive it online soon, but we'll need to get it onto someone else's computer since mine is DEEEEAAAAAD!

Hopefully this Friday my external hard drive will work and we can air the show again, this time ALL the way through. The right after that is Kumoricon, which unfortunately I know nothing about since I've never gone before, have been too busy to research it, and every time I try to focus on anything I start breaking down again. I've been pushing myself much too hard. It's terrible, because if I can't keep up with these shows how will I ever be able to achieve my other goals? I understand I'm fairly new to the world. I haven't had a whole lot of experience in reality. My body and mind aren't conditioned for the labor I'm forcing myself to do. Eventually my power will grow, but I mustn't be hasty. Everything will come in time. Impatience has lead to the downfall of many overlords. I must learn from the mistakes of my predecessors. I must accept myself for who I am, and hope that others are able to do the same. I don't believe I give my friends enough credit. I obviously have been failing to hide from them, and yet it doesn't phase them in the least. Considering the way things have been going, K-Con is certain to be an adventure.

What could possibly go wrong?

"If I'm going to be concious at ungodly hours, I may as well stream it."

I feel drunker than a wombat on a goat song could you pass the relish my grandma can't take much more or this is the end of the line Mr. Jones, Mr. Peanut, Mr. Rogers, Mr. T, Mr. Ed couldn't sing tenor to save his lives are one hundred coins each would you like a bag for that or would you like to wear it home Sargent Pepper's Lonely Hearts Club Band camp and brothel with peas and carrots mixed in a special cream cheese sauce.

Welcome one and all to the Scrap Brain Zone portion of our show where we're so REM sleep deprived we begin to emulate the effects of intoxication. Day one we're sluggish, 2nd day we're cranky, third day we zombie out, and on the 4th day we have violent mood swings. By the end of the fourth this is what happens. My pants are enormous could I borrow yours? Someday we'll laugh at the 101 uses for fish sticks all mattresses must go! This is what happens. The middle changes from time to time, but the end is always the same.

1. "I'll be okay."
2. "Calm down. There's nothing to worry about."
3. "Oh god I need to sleep tonight. I need to sleep. I can't do this again."
4. "My pancreas spoke to me though my hand and it's not pleased with the progress we're making on the waffles John Deer would eat our skin through a bucket sized spaghetti strainer on a Saturday night fever pitch!"

So much to do so much to do. Try to go with the flow. On bad days I stop and let it be bad. Cancel plans. Apologize the next day. Bad day bad day. Violence, rage and anger mustn't be seen mustn't be seen. What would the henchmen think? Don't sweat it champ it happens to the best of us from time to time just don't let the porcupines bear witness or it will come back to bite you in the checkbook. I proposed to a car after my girlfriend kicked me to the curb when I sang a love song on the way home, then Freddy Kruger gave me an indian burn in front of Santa Claus and made baby Jesus cry. Baby Jesus: from the company that brought you Tickle-Me-Judas and Bathtime Fun Moses! Can't keep a beat but still keep rockin'! Toilet seat allergies are worse in the autumn. So much to do. I keep trying. I mustn't give up. Move on and perservere through madness. Infinite improbability overload quick strangle the gopher before it makes off with my Cheetos.

How long can I go on like this? It won't shut off. So much to do so much to do busy busy busy. I don't know what I'm doing. I never know. I keep trying. All surpass me. Why do I fight? What am I good at? I can't do enough. It'll never be enough. My envy of others is my downfall. I feel shame for my insecurity. Garden biscuits for breakfast Tuesday though Saturday at Weasel Land Family Fun Park. Marmots get in free! How can what I do be enough? So many dreams. None can be achieved. Keep trying. Keep trying. Reach for the stars no matter how much your arm hurts when it cramps up from the irony. Sing me oh muse a tale of woe. Of dichord and chaos long long ago. There once was a man, a milliner of lies, who chuckled and chortled at everyone's guise. I cannot go on, but I know that I must. Come with me now or else fade into dust.

Don't raffle at the gun show sink like a ship in the sand drink and be merry don't let it eat you strive for your life and let manniquins weep.

Can I try to keep going? Don't know if I'll stop. I just want to live all of my lives and share them with the world. I know many good people that on one else does. I want to invite them to join in the fun. They will make people laugh and hopefully cry, and all mourn their loss when they finally die.

I'm still trying. Please help me succeed.

In hindsight, stream of conciousness writing may not be the best way to fall asleep. It used to work. If my mind wouldn't shut off I'd let it flow like this onto a piece of paper, and once all of the nonsense was absorbed I could put it aside and go to sleep. Now the flow doesn't always end. I stop when I get tired or bored, but my mind is still going. I usually post this crap where I collect my thoughts in order to figure out how my mind works, but for some reason this time around I was compelled to share it here. It's funny how it begins with babbling, then I go on to explain why I'm in my peculiar mental state, and somewhere in there near then end I begin to get whiny. I also talk about allowing bad days to be bad, but I never talk about allowing good days to be good, or explain what a bad day is and how allowing it to be bad is my way of making it good. That's probably because none of that makes sense and I hate explaining things. I don't like forcing myself to think. I've long lost the ability to do so, and now I must simply be. Stream of conciousness writing is the fullest extension of "simply being." It is not something that you do. It is something you allow yourself to do.

This is the most pathetic entry I've posted in quite some time. This is not what this blog is for. This blog is about sharing my triumphs.

Maybe tomorrow.

The Treads on the Battle Tank Keep Spinning

Behold! Episode 1 of The Astonishing Dude (now referred to as TAD for short, 'cause I like that better then AD, and yes these things are important to me and you can't take away my freedom stop trying to control my life leave me alone I'm not hungry I'm going to my room and I'm never coming back OMG sugar rush!) has been completed!

All goes according to plan. As per standard production procedure I worked on that sucker 'til it was time to head out the door and abuse the auditory canals of those fortunate enough to hear our masterwork. Keeping the volume consistent throughout the piece was the biggest difficulty I had. No, finding sound effects was, but the volume came a close second (which reminds me that I need to do some more sound hunting if I'm going to pull off the upcoming commercial breaks. I should delegate this task to someone else. Any volunteers? Who wants to find me a bowling ball, a toaster, an agitated hamster, and an aerosol can full of doughnut batter? Think of it as a scavenger hunt.) The great thing is that no matter how many times I listened to this thing it never got boring. Animation gets old fast. Granted, it takes a hell of a lot longer too. This show though... this show is astonishing through and through. My only disappointment is that we didn't have the recorder going when we did our live cast commentary. Sad day. (I know most of what I said, so I could record my own commentary... but I think blogging is the full extent I'm willing to take my ego. It just wouldn't be the same without my outstanding comrades anyway.)

And Episode 2 is officially underway! Armed with previous experience, our intrepid hero (overlord) ventures not into the unknown wilderness of radio play production, but into the familiar lake of tepid and not on the whole unpleasant work that is exhausting, time consuming, but ultimately rewarding. The challenge this month will be to effectively emulate a panic stricken mob of limbless civilians, an overzealous arena of bloodsport fanatics, learn how to apply voice modulation in order to make my actors sound alien but understandable (I cannot understand most alien voices due to their modulation. The Vogons in The Hitchhiker's Guide to the Galaxy radio series especially, and most recently Emperor Tachyon's voice in Ratchet & Clank Future: Tools of Destruction.) and play not one but TWO characters that are much too intense for my stomach to handle. I started getting sick during a run through of the script. I should be fine if I have lots of water handy. The show... must... go on... gasp... *MELODRAMATIC DEATH!*

I am also serving as Director Assistant/Script Master/Nagging Asshole in a film production called Nightbumpers. So far I've only screwed up once, if not twice, and all on our first day of shooting! The first error was when I started doing my job before the cinematographers said cut, and the second was when I might have been in the shot when the camera person did a pan of the set for extra coverage. I'm looking forward to the next day of shooting. I've never been a part of something like this. At the art school I was an animator, and wasn't involved in anything that required actual filming. I did write one screenplay and was there for shooting, but I dunno... that was different. I don't get that awkward feeling that I don't belong there though, which is good and quite surprising. I got a little nervous when I had to actually, you know, do my job, but I think that went alright. (I still need a copy of the script. I don't think I can keep hoarding the Director's. I may also bring some blue masking tape and a dry erase marker for the sake of taking blue masking tape and a dry erase marker.)

I'm working on learning to draw. Oddly, whenever I try to draw the way I'm taught I fail. I can't get beyond the two-dimensional wire frame model I've created. It should be a simple matter of cleaning up lines, really no different from my normal process, but something feels wrong. Winging it seems to be providing better and better results. Characters aren't especially detailed, there's no shading, texture, or color to speak of. Hands, feet, and faces continue to be my eternal adversaries. On the positive side, I have two tolerable sketches of myself: the infamous Lord Veltha. Other more pressing matters have taken time away from my pencil practice, but I feel that with the progress I've been making it will only be a few years until I become what artists refer to as "okay."

The world is in my hands. It's only a matter of time.

(And if you haven't already, check out www.imeem.com/astonishingdude for great justice!)