Lord Veltha Versus The Power of FRIENDSHIIIIIP!

The key to being an effective overlord is learning how to properly utilize and trust your henchmen. After all, without minions you're just another man in a cape trying to conquer the world. A villain, sure, but not an overlord.

This is where I have my largest difficulties on my path towards conquest. Given my nature as a flamboyantly dressed, egomaniacal, "if you want something done right, you gotta do it yourself" type of person, I am actually suppressing my potential for global domination by limiting my reliance on vassals.

I compare my work to that of professionals in all that I do, and I look on my works ye mighty and despair, for I am merely "good." It also seems that about 75% of everything I do consists of busy work. I things that allow me to utilize my imagination, to socialize with like-minded individuals, and allow me to use my natural ability to mimic the voice of Patrick Warburton, like writing, directing, and prank calling Neil Patrick Harris. I enjoy things like animation (which takes for effing EVER), doodling (I don't particularly consider what I do to be "drawing" so much as giving circles legs), and editing audio (we'll get to that.) That is, I enjoy these things to a certain extent. For the first few hours I am enchanted by the creative process, but soon after my first pumpkin pie break it becomes tedious busy work that never seems to end. I love watching this come to fruition, and giggle with mad glee at well-timed audio cues, or simple chunks of narration magically transformed into an intense monster truck show of layered effects, but these things require patience. Regardless, these are things I must have control over so I do them myself. I know what I am capable of, but the abilities of others are a mystery to me. Certainty is a necessity that is more commonly a luxury.

Accepting of course that I am infallible, that everything I do is right, and what my mother said about how I can do anything I put my mind to is true; even if I am capable of doing everything perfectly, everything is a hell of a lot to do. I must learn to delegate tasks, but this goes against more than a decade and a half of bad programing. Back in the good old days of basic education it was standard practice for me to do group projects on my own. As such I never learned essential social skills pertaining to dictatorship, such as divvying workloads, organisation of meetings outside of class, and Japanese water torture.

Slowly but surely I am acquiring theme skills in my work on The Astonishing Dude. Organizing rehearsals and recording session is a challenge best compared to forcefully aligning the planets, where every individual and every resource required is a planet in orbit around my metaphor. This troop rallying is a task I must not give to another because that would encourage my anti-social behavior.

Once the project is recorded I will continue to edit it myself as I have been. However, uploading the project to the new venue, YouTube, is a responsibility I may have to force on others. You see, it's not enough just to upload the show. It was intended for radio. I fear the attention deficit masses will not show interest in my program when there are things out there like YouTube Street Fighter. Animation in some form is required. Kinetic Typography is the approach I'm taking now. Though my program isn't up to the complexities of more impressive works, it's enough, or would be if I had the patience for it. As is, I've worked on it for approximately eight hours and am only an eighth of the way through my thirty minute show. The other more tantalizing option is to include illustrations, but again, if we're gonna do it we're gonna do it right. My editing program doesn't allow for delicate camera movements with still images. The artwork would certainly be enough to carry the piece though. I know I should not be picky, but it is my nature.

I believe film or theater would be an acceptable compromise, or present compromises that would be acceptable, or possibly compromise my acceptance if I go about it all wrong. The point is that in these two live action media lies the potential for artistic communion in my budding criminal empire. I wouldn't be able to do any acting. My body is stiff and awkward. Plus, if I wrote the script, which would be the plan, I wouldn't be able to memorize it. Ask anyone I've ever written an email to, and they will tell you that these blogs are like children's books in comparison. My dialog tends to be on the wordy side. Plus I have the memory of a brain damaged goldfish. Even other fish would say, "Seriously, man? We passed that pebble like, .0008 seconds ago. What's your problem? Stay with it, bitch!" I would have a better chance of memorizing something I wrote, just as I have an easier time acting out my own writing than scripts from the East Coast folks I tend to do business with online, but it would all be to no avail. Writing and directing would have to go hand in hand. As I understand it, it's uncommon for screenwriters to be involved in a professional production beyond typing the words "The End." Thankfully, I am not yet a professional, so in theory I should have time to build a reputation that demands involvement in as much of the film as possible due to my sheer unrelenting brilliance. I wouldn't have to do all of it myself, which brings me back to the point of this entry.

I feel as though it would be easier for me to relinquish editing duties of a film project to someone qualified for the position than it would be for the radio program. Radio involves a lot of micromanaging and sound design to create a world exclusively through audio. With film most of what the audience perceives is captured by the camera. Foley and music can be added later, but most of the essential elements are there from the start. Editing is done in swift smooth strokes as opposed to subtle jabs. Not that it isn't difficult, especially with multiple takes and angles to choose from. I don't wish to insult any filmmakers, I'm simply making observations from my experience. The process is different, and I feel it would be easier for me to leave the post-production, pre-production, and present-tense-production to the professionals and I would have less need to be in complete control (though I would still like to supervise.)

Projects on the table:

1. The Astonishing Dude Episode 3 (Still need casting, rehearsals, and to actually record the damn thing.)
2. Lawrence The Majestic (Originally intended to adapt my short story into a short film. That didn't work out. It's going to be much longer. Still need to finish the script. We'll wing it from there.)
3. Unnamed Project (Read part of a script I started to my allies. It seemed to illicit a positive response, and a potential internet meme. It sounds promising enough I may need to focus more attention on it. Will possibly become a YouTube series... if I actually manage to complete a script and build the drive and courage to actually do something with it. That's a big problem with a lot of my work. There's so much I want to accomplish, but I lack the ambition to get off my ass.)
4. Everything F-ing else (As usual, my attempts at novel writing are set to the back burner. As much as I like writing, most of it involves keeping to myself for prolonged periods of time. I would much prefer to mix work and play-time by doing projects I can work on with friends. Plus I'm not good at things like "plot" or "world creation." Dialog is my thing. It's what I do.)

This reminds me; I ran into one of my former writing teachers. She commented on how I do a lot of little projects that don't seem to go anywhere. That wasn't precisely the way she worded it, but that was the point, and it's something that has been on my mind. It seems no matter what I do very little in my life changes. When something does go off in a new direction, eventually the road runs out and I'm back where I started. It's like my fate is a giant rubber-band. The more I accomplish and the further away I get from my default position of uselessness and unproductivity the more it hurts when it finally snaps back, and it always snaps back. I tried school. I tried animation. I tried writing class. I tried radio. It seems as though I am only able to do things for a certain amount of time and I'm back with nothing. It takes so much effort to get as far as I do, but eventually circumstances send me back. I must find a way to escape this eternal return.

I just hope my path lies in the direction of art, and not in the direction of incurable disease, violent crimes, or horrible mind fracturing accidents that unlock the deepest recesses of my mind and release all of my various suppressed fears and paranoia causing them to manifest in a complete alteration of the way I perceive the world around me so that I am never able to will myself into becoming a productive member of society due to the fact that I am never able to follow the infrastructure of the fabricated reality mankind has built for itself after centuries of deluding itself into believing that the path to enlightenment lies in a convoluted system of populous control built around abstract concepts such as law and order that has been perverted and exploited by corrupt bureaucrats who value bartering units over human life.

That would be a bummer.

Pathos and goodwill,

Lord Veltha

Lord Veltha Versus Happiness

It has come to my attention that in principal such things as wealth, power, and fame are not goals people strive for, but the means to their goal. That goal of course is happiness.

Happiness is by definition, "a state of well-being and contentment." The dictionary as always is particularly vague when it comes to subjects of importance such as this, and it is best that people are left to define their own happiness. (The dictionary does however contain the long sought after meaning of "life." Why it has never occurred to people to look it up in the dictionary is beyond me.)

I do not feel as though my problem lies in un-happiness. I am by nature a happy person, but I am away from my natural habitat where I can be myself to the best of my ability. I am away from my natural habitat due to avoidant behavior. I avoid things due to the fear that somehow I will make things worse than they are. It is much safer for me to hide within the confines of my impregnable fortress.

Psychologically, even chronically miserable people have in some depraved way found happiness. Try to snap them out of it and watch how their mood goes from bad to worse. Humans are comforted by that which is familiar to them. Take away that comfort and latent survival instincts kick in. Fending for emotional survival isn't often considered a state of well-being. (This link is not even the least bit relevant.)

If happiness is the goal, then I fear I am going about it all wrong. No amount of therapy can MAKE me happy. Discussing pertinent issues such as relationships and economic ways to destroy the world is helpful without a doubt, but the whole point is to allow me to integrate myself into the world and become a productive member of society. That is the key. I'm learning how to cope with reality, not how to participate in it. I am about as well adjusted as I'm going to get, frightening though it may sound. Therapy will not bring me happiness, and I'm afraid more therapy will only not bring me happiness to a greater extent. It's time I learned how to do things on my own. Only then will I be fit to rule this world with an iron fist.

As such, there are only two things that will bring me happiness.

1) A positive social life

2) Purpose

Group gatherings occur when I am invited to or send invitations to planned events, yet my not-the-least-bit-creepy-or-stalkerish research suggests many shared activities are spontaneous. I'm simply in the wrong place at the wrong time. Comrades frequently in close proximity to each other are more likely to ensue in mischief.

Plausible Solution: Discover a method for maintaining consistent social contact with friends in person, whether it be to arrange a meeting place or get over my anti-social pansy-assedness and call people once in a while. Phones aren't that scary.

Alternative Solution: Kidnapping. It seems to work for most evil overlords. Besides, when does brain-washing go wrong?

Purpose is a little trickier. I can not simply slap a sticker on an activity or job and call it purpose. The key as always is to FEEL like it's my purpose. As it so happens there are two activities I feel a strong connection to, however I think I have described the pros and cons before. Writing is problematic as I'm inconsistent in my writing habits and abilities, and in order to move forward in my life I would need to complete a project. My voice box however is armed and cocked (...*cough*...), I just don't know where to take it.

Plausible Solution: Ask for help. I have resources I could exploit. I know people who know things about knowing things. I could ask for assistance from people connected to the field, and people may even give it to me without having to resort to mind-control.

Alternative Solution: Mind control

I must take charge of my life to ensure that I have a future. Perhaps I will get started on that tomorrow.

Pathos and goodwill

Lord Veltha is a typhoon of WIN

It's official. I am a tropical cyclone of amateur voice acting success. It's been almost a month since my last post, and in that time I have landed a slew of roles that will surely not become overwhelming in the least.
...
*cough*

Upon being cast in Naruto The Abridged Series Movie (and hookers!) my ego was inflated to beyond healthy proportions and I decided to investigate further roles. The fellow who kindly pointed me in the direction of the "Old Guy" audition mentioned that he was casting for Wild ARMS Abridged.

For those who don't know (namely my parents) an "Abridged Series" is a fan made series of videos often posted on YouTube where anime fans condense thirty minute episodes into eight or ten minutes, often lampshading confusing plot points, making fun of annoying characters, or completely changing a character's personality (or ethnicity, eh?) Often the resulting show becomes almost completely unrecognizable. There are many many bad ones, and even the more popular ones will make you want to lick a cheese grater to get your mind off of the pain, but they are altogether a somewhat humorous display of fandom.

For more information, consult the media entertainment equivalent of The Hitchhiker's Guide to the Galaxy: TV Tropes

After auditioning and receiving praise (and yea, even lending some requested script assistance) I got the role. I didn't know how many of the roles I got until now, but I'll get to that.

It was also from this source I learned of Voice Acting Alliance, which is a resource for amateur voice actors, directors, producers, etc who have all come together with a common goal: be awesome. It was here I decided to bite off more than I can chew, and why I continue to resemble a cow chewing cud.

For the record (and because my own memory is so terrible that I really need to write this crap down somewhere) here is the current list of projects I'm engaged in.

Wild ARMS Abridged (Abridged series based on Wild ARMS: Twilight Venom)
-Sheyanne Rainstorm (High normal voice. I didn't even audition for it! No kidding! I hate my voice...)
-Dr. Kiel Arronax (AKA "Doctor Captain Pirate Mullet". Brock Samson)

Neon Genesis Evangelion: Black Nerv Project (Not sure what the final name is, but it's a parody of Evangelion. From the looks of the script, I don't think they actually shortened it, so I don't think it's "Abridged." Amazing script though.)
-Fuyutsuki (The Old Guy strikes again! Get off my lawn!)
-Male Announcers 1, 2, and 3, helicopter pilots, crew mamber (I haven't gotten a critique yet on my auditions, so I'm not sure what I'm doing here. For these I mostly used variations on my annoying normal voice, and Stu Brawny Johnson. (Think Coach Z from homestarrunner.com))
-Sachiel The Angel (They said "Go nuts!" I went nuts, throwing in every voice I can do. I don't know what one they chose, and may not know until the show is finished because they only needed that one line.)

By the way, they're still looking for actresses.

Mega Man X: Vile (A fan-made RPG based on the Mega Man X series.)
I auditioned for four roles, and didn't get any of them because my voices didn't fit the characters. Luckily, I still got parts.
-Metal Shark Player (Auditioned for Dr. Wily. High-pitched pirate. Yeah, I'm awesome.)
- Mattrex (KROGNOLON! I have to make him sound sly and not stupid though. We'll see how that goes.)

I also get to re-audition for the role of Dynamo after having heard more information, and a clip from another audition. (I think I gotta go somewhere between Brock Samson and my normal voice. Have I mentioned I hate my normal voice? Just recordings though. I can and do talk to myself incessantly.)

That's not a whole lot, right? Sure my social life is suffering, but that's because I've been reclusive and depressed! Now I'll be isolated from the people I care about because of my heavy workload, the way it's SUPPOSED to be. Just in time for the holidays. (That's okay, people can pick up their Snowflake Day presents next month.)

I have a lot of links scattered around in this post. I don't know if they'll transfer over to Facebook or not. If not, then tough luck.

(Quick Rant: I downloaded a Dragonball Raging Blast demo last night. Now, why the HELL would they put out a demo of a FIGHTING GAME and not make it TWO PLAYER? It's RIDICULOUS!)

Pathos and good will,
Lord V.

Lord Veltha VS Nostalgia

Updates, updates, updates.

I haven't been on Blogger for some time now. I could look up when my last post was, but by that time I'd lose focus and never find my way back to actually writing a new post.

The Astonishing Dude seems to have all but stopped. I seem to have caught the Suck-Virus (if that sounds disgusting, believe me, it is. I don't understand how so many people can live life without being awesome.) and have trouble with minor things such as dialing phones, sending emails, or making it to the library to check out books that I've had on hold until the hold expires (I did finally get one though! It's, uhh... "Stitches" by David Small, and frankly I'm not sure I'm ready to read it. I should probably take it back.) Hopefully I won't have The Suck for much longer, but it seems to be keeping me indoors a lot. Even when I am able to communicate with someone it's fine while it lasts, but immediately afterwords blah blah blah angst no need to get into that muck.

My mediocre career as a voice actor flickers on though. I've recently been cast in the role of Sandayu "The Old Guy" Asama in the Naruto The Abridged Series Movie. In a super roundabout way, as things tend to fall, I auditioned for minor roles in Sonic Abridged, a guy said NTAS was lookin' for someone, and lo and behold I got the part. I have yet to actually get in touch with Vegeta3986, but I must have patience (Not everyone is as burdened with having excessive quantities of free time as myself. Woe is me.) and in time I will be killed by a ninja train (Yes, the train itself is a ninja. It hurls more kunai then anyone else and kills the most people. It might not be the most stealthy assassin what with being a train and all, but hey... this is Naruto we're talking about. they don't actually place a heavy emphasis on stealth.)

I'm writing again. It's been a while. While this is wonderful news considering I'm at my most attuned with greatness when I'm clacking away at a keyboard telling stories that in all likelihood will never reach the eyes of readers, I'm not... actually... uh...

You see, the thing is... this thing I'm writing, while it's great I'm writing it... it's... uh... well, it's it's it's... fan-fiction.

You have to understand. I have horrible associations with fan-fiction on at least two counts. No.1 is quality. I realize that not everyone writes as terribly as the admittedly funny and equally grammatical-aneurysm inducing freakfest of "My Immortal" (of which I have only read about on TVtropes.org and decided I'm not in the right state of mind to read the actual... thing.) but I tend to associate fan-fiction with crap. I'm not saying anything I write is any better (I'm just gracious enough to hide it from anyone and everyone), and I'm sad to admit there are fan-produced works that are better than anything I do, I'm saying that this is my association.

No.2 is more personal. I have this overwhelming need to make something of myself and do things that I deem "Productive." I have no real direction in life, so I don't fully understand how I classify something as productive, but it seems to correspond to busy work I feel good doing. I have this grand scheme that some of my work falls into, but I know full well that this plot will never come to fruition. I'm just working for the sake of working and daydreaming that something good will come of it. With that said; working on an project comprised of unoriginal ideas that I cannot use to further my rhetorical goals seems like a waste of time. It does keep me writing though, and any time spent writing can't be considered a waste of time. It makes me happy. It gets my limited capacity for creativity flowing. It keeps my mind off of other issues. All is well.

Even my doodles are going the way of parody. I'm halfway through my series of AWESOME Luke doodles, depicting how A New Hope would be different if Luke Skywalker didn't suck. The best description I've heard was that this is what Star Wars would be like if Happy Noodle Boy were Luke, which brought me no end of amusement. I originally started doodling again as a way to express my neurotic thoughts, which I continue to do when I come across a thought I'm able to make fun of, but now it's mostly AWESOME Luke (and I do feel the need to capitalise awesome, which may be another neurotic thing.) The idea came about one day as I was walking about daydreaming about Sonic The Hedgehog, as usual, when I started casting Sonic characters as Star Wars roles. After about half an hour of debate I cast Sonic as Luke and laughed at the thought of Luke being awesome. Then the doodles began of AWESOME Luke, and soon after I caved in to the urge to actually write what I'd originally been daydreaming about.

So now everything I'm doing revolves around fandom and parody. My voice acting, writing, and doodles.

I have learned something about myself though. I've learned that nostalgia plays a key role in my life. I learned this while browsing Overclocked Remix. Most of the songs on my MP3 player are either punk covers of old songs, or video game OSTs and remixes. I only listen to songs I've heard before. I have trouble getting into new music. I don't listen to the radio, and when it's on I tend to tune it out. When friends on Facebook post videos of their favorite bands I listen, but I don't feel any connection. Even ripping CDs for Mom I occasionally say, "You know, the rhythm, the melody, everything here is something I would like... but I don't."

Video games are the same way. If I play a new game in a series it feels... wrong. I couldn't get into Sonic Advance, and even Sonic Rush (which is now one of my favorite games) felt odd at first because I'm so used to playing the Genesis titles over and over until I play them by heart the way someone sings a song by heart. When people sing do they remember the words? When I sing the words just flow out. Come the second or third verse I have to remember the first line, but then the rest pours out naturally and I'm not even sure i know what I'm singing. That's how I play video games, and Sonic especially. Ratchet & Clank Future: A Crack In Time came out recently. Now, when I got Tools of Destruction it had been a good few years since I played the previous games, and I'd only played through each of them once or twice. When CiT came out I decided to go through all of the games in order before I picked it up at the store. It'd been a long time since I played through the series, so I had nothing memorised, but when I saw things I recalled seeing them before, almost like deja vu. Once I started playing CiT things felt weird. There may be a few cosmetic differences, but every R&C game is pretty much the same. The thing that felt odd wasn't that the game was new, it was that I didn't remember it. I need things to be familiar. I don't respond well to change.

I might be getting a psychological evaluation soon. My therapist asked me last week if I'd ever had one. She felt terrible that she hadn't asked sooner. She also apologized a lot because she didn't want me to feel like there was something "wrong" with me. I know there's nothing "wrong," but I also know there's a whole lot keeping me from being "right," and I'd like to have a better understanding of what that is.

I played Commodore 64 last night for the first time in years. It felt great, even though I died without getting any farther in The Amazing Spider-Man than I have before (Drowning in dookie water.) Batman: The Caped Crusader is just as impossible as I remember, but a lot funnier ("You got the A Fried Egg.") I also suck at Kings of the Beach now, which was never the case before. My reaction time is completely shot. I'm thinking about hooking up my Genesis, even though most of the games I own I've been playing on PS2. The feel of a classic controller can't be emulated.